藝廊及中央庭園節目 (2017-05-28 ~)

日期:30 / 5 / 2017
時間:11:00 - 17:00
開幕:30 / 5 / 2017 > 11:00
地點:中央庭園 
主辦:香港手鈴藝術協會
查詢:6706 1105 / festival@hahk.org

日期:4 - 30 / 5 / 2017
時間:10:00 - 22:00
地點:L0, L1 藝廊 Galleries
主辦:香港大學李嘉誠醫學院
查詢:medicine130@hku.hk
網址:130.med.hku.hk/events

日期及時間:
1 / 6 / 2017 > 18:00 - 20:00
2 - 4 / 6 / 2017 > 11:00 - 19:00
開幕:3 / 6 / 2017 > 16:00
地點:L0, L1 藝廊 ; 中央庭園

 

古典樂章演奏:3 / 6 / 2017 > 16:00
地點︰L1 藝廊

 

行為藝術表演 ︰
3 / 6 / 2017 > 14:00 ; 15:00
4 / 6 / 2017 > 14:00 ; 15:00
地點:中央庭園 

 


查詢:9412 1360(左燕芬)/ wbsjccac@gmail.com ; whiteboxfriends@gmail.com
網址:www.whiteboxstudiohk.com

日期:20 - 26 / 5 / 2017
時間:10:00 - 18:00
開幕:20 / 5 / 2017(星期六)> 14:30
地點:中央庭園
查詢:
2344 9724(社工黃姑娘)/ dsckt@hongchi.org.hk
9587 2323(Ms Lee)/ artohroom214@gmail.com
網址:www.facebook.com/ArtohL214

日期及時間:
6 / 6 / 2017 > 14:00 - 20:00
7 / 6 / 2017 > 10:00 - 20:00
8 / 6 / 2017 > 10:00 - 18:00
開幕:6 / 6 / 2017 > 14:00
地點:L1 藝廊, 中央庭園 
查詢:2432 2088(葉小姐)/ buddhistchunyue@yahoo.com.hk
網址:www.bcykgtc.edu.hk

日期:24 / 6 - 6 / 7 / 2017
時間:10:00 - 22:00
開幕:25 / 6 / 2017 > 13:30 - 14:30
藝術家交流會︰25 / 6 / 2017 > 14:45 - 16:30
地點:L0, L1 藝廊 / 中央庭園 
查詢:9376 2160(王玉玲)/ artmatchgroup@gmail.com
網址: artmatch.org.hk

 

藝緣畫會快22歲了! 去年和台灣雲林藝術家結緣,本年邀得台灣、海外及本地重量級藝術家15位,連同16位藝緣會員共同展出作品,展出藝術家包括陳餘生、鐘有輝、朱興華、李展輝和李慧嫻等。將是藝壇初夏盛事。

 

日期:14 - 16 / 6 / 2017
時間:10:00 - 22:00
開幕:14 / 6 / 2017 > 19:30
地點:L0 Gallery
查詢:6645 4497(C Wing)/ eduhkvacacgradshow@gmail.com
網址 Website:www.facebook.com/eduhkvacacgradshow

MO〔VE〕MENT: CROSSING BORDER︳BORDER CROSSING—INTERNATIONAL FESTIVAL OF CROSSING-MEDIA

2017

 

 

9-22/ 10/ 2017

 

TENTATIVE VENUES

JCCAC Art Village-HK

CDAV Art Villge-HK

HK SPACE MUSEUM

HK SCIENCE MUSEUM

VA!

Oil!

Kubrick

OCT-Space B10 Shenzhen-China...

 

Chief Curator:

Andrew Lam

 

Guest Curator:

Andy Tam

Wang Jing

 

Art is not stereotype. The Festival discloses visual language that blurs the borders between stereotypes, categories or preconceived notions. It imagines and reimagines the new physical-psychological, visual-conceptual, structural-spatial… boundary, thinking and re-thinking the urban-rural, geo-political, infra︳inter-structural, socio-cultural, virtual-mediated, physical-metaphysical… confinement in the trans-cultural, cross-territory contexts, and covering and uncovering refreshing perspectives︳structures of thought-form and vision-event connecting the heterogeneity of body and hybrid media… The Festival 2017 further perpetuates, explores and develops the conversation being built upon the last festival which focused on the ‘geo-political border’ and on also such themes revolving around urban crisis, refugee problem, body criticism, gender, post-colonial identity, imagery and media, etc.

 

www.jccac.org.hk/?a=group&id=c&mate_id=381&period=all&doc_id=5708

 

MO〔VE〕MENT- FROM A MOMENT IN TIME TO A MOVEMENT IN HISTORY

While the Festival may create visual objects of curiosity, complexity and ideas for speculation, it is not simply a MOMENT OF ‘ART ATTACK’, it embraces platforms/ methodologies of pedagogy for public mediation and forges co-extensive spaces for such co-participants as artists, educators, school and social learners to develop self, interactive or constructive learning. The Festival makes every moment of intervention count and makes it further-developing and evolving. Every moment embraces its intrinsic value and the Festival brings this value further to public understanding and impact. “MO〔VE〕MENT” presents works and projects existing in “the current moment/ frame of space-time” and/ or “a movement in the past or future history” with on-going thought-discussion. The dialogical and performative platform is not intending to create a new page in art history, nor spearheading culture towards a movement encompassing collateral event at the expense of discourse; rather, it emerges from a speculation with our time and a dialogue with history in the everyday.

 

CROSS-REALM DIALOGUE

The Festival supports the different vision, state and ontology of art, and it nurtures emerging forms of visual art and its transient expression or extended media. It also brings the complex relationship between the artwork and its author, site, history or urban meaning constructed in the public sphere to discussion.

 

RETHINKING OF FESTIVAL

The Festival is neither an anti-festival project, nor a one-off event to celebrate visual ideas which cannot last long. The very notion of “FESTIVAL” is not simply an independent or time-based event. Art being displayed in the public space should be a talking point and part of a series of connected links, events, interventions and creative plugs that are inter-transformed in an informative, mediated era of co-learning. While wechating/ celebrating art simply appearing as a “MOMENT” in the fabricated reality of this fleeting existence, the Festival responds to this festive situation by nurturing on-going dialogue, discourse and interactive learning.

 

(Andrew LAM, Director of MOST, 1.12.2016)