藝廊及中央庭園節目 (2017-03-25 ~)

放眼藝術‧樂活手創
展覽‧演出‧導賞團暨工作坊‧藝術分享及體驗工作坊
精采活動‧費用全免

 

心水展 – 展覽〔一〕
日期:1 - 9 / 3 / 2017
時間:10:00 - 20:00
地點:中央庭園 / L2 平台

 

心水展 – 展覽〔三〕
日期:15 - 29 / 3 / 2017
時間:10:00 - 22:00
地點:L3, L4 藍牆

 

落地演
日期:4 / 3 / 2017
時間:16:00 - 17:00
地點:中央庭園 / L2 平台

 

動手創
日期:5, 18, 25 / 3 / 2017
地點:中央庭園 / L2 平台 / L3-04

 

開幕:4 / 3 / 2017 > 16:00 - 17:00
查詢:2777 8664 / jcias@adahk.org.hk
網址:www.adahk.org.hk/jcias/annualfestival

 

 

「多一點藝術節2016」將於2017年3月1日至31日期間舉行,以「放眼藝術.樂活手創」為主題,除了呈現共融藝術計劃2016年度的點點滴滴,它還標示了計劃和賽馬會共融藝術工房展開了一個新里程。

 

計劃獲得「香港賽馬會慈善信託基金」的慷慨捐助,延續至2019年。這意味着香港展能藝術會將繼續舉辦豐富多樣的藝術教育活動,讓不同能力、興趣、背景和年齡的朋友在藝術裡繼續學習。無論作新嘗試,或作進深研究,藝術學習和創作都能為他們帶來歡笑和滿足。

日期及時間:
25 / 3 / 2017(星期六)> 13:00 - 20:30
26 - 31 / 3 / 2017(星期日至五)> 11:00 - 20:30
1 / 4 / 2017 (星期六)> 11:00 - 19:00
開幕:25 / 3 / 2017 > 15:00
地點:L0 藝廊
合辦:
L7-22 失焦工作室

查詢:daysinentertainment@gmail.com
網址:www.facebook.com/娛記正傳

日期及時間:
24 - 26 / 3 / 2017 > 11:00 - 20:00
27 / 3 / 2017 > 11:00 - 17:00
開幕:25 / 3 / 2017 > 13:00
論壇:25 - 26 / 3 / 2017 > 14:00 - 18:15
地點:L1 藝廊  / 中央庭園 
主辦︰香港性教育會 | 香港家庭計劃指導會

查詢:hkscf2011@gmail.com

網址:hksea.wordpress.com ; www.facebook.com/HKSCF

日期及時間:
29 / 4 / 2017(星期六)> 10:00 - 20:00
30 / 4 / 2017(星期日)> 10:00 - 17:00
地點:L1 藝廊

主辦:亞美斯藝術交流

查詢:2334 0188(Eva)/ 9283 3152(WhatsApp)

網址:www.artmixhk.com

〜在呼喚死亡的是,幽靈的惡意。〜

 

日期及時間:
2 / 4 / 2017 > 14:45 ; 17:00 ; 19:15
地點:L1 藝廊

 

日期及時間:
8 / 4 / 2017 > 14:15 ; 16:45 ; 19:15
9 / 4 / 2017 > 12:15 ; 14:30 ; 17:00 ; 19:15
地點:L0 藝廊 

 

主辦Borderless Media

查詢:6049 7220(Tiffany)

網址:www.facebook.com/realescape.hk

 

 

金田一少年之事件簿R × 真實解謎遊戲「魍邪之館殺人事件」
〜在呼喚死亡的是、幽靈的惡意。〜

很久以前,在日本的一個深山裡,一位著名的日本「鬼屋作家」建了一幢豪宅。豪宅的名稱是“魍邪之館”。
最近,名偵探的你們收到應該已經過了身的屋主的請柬。
並到這魍邪之館赴約。但在這館裡卻發生了可怕的謀殺案件。
根據各證人的證言、狀況和實物證據,在各名偵探絞盡腦汁推敲誰是犯人嘅時候,金田一一已經將所有嘅情報整理,以他的特殊推理方法終於找出了真正的犯人!
然而———,下一刻———,情況就完全變了!
犯人將一早已準備好的炸彈的開關啓動。「這就是我給大家的最後謎題,各位名偵探,大家可以無事安全逃出這裏嗎!?」
究竟各位名偵探能否將所有謎題解開,從這魍邪之館安然無恙的逃出去呢?
魍邪之館的倒塌 只剩下很少的時間———。

 

日期及時間:
20 / 4 / 2017 > 19:00 - 22:00
21 - 22 / 4 / 2017 > 10:00 - 22:00
23 / 4 / 2017 > 10:00 - 18:00
開幕:20 / 4 / 2017 > 19:00
地點:L0 藝廊 ; L2-05-08
主辦:香港中文大學文化及宗教研究系文化管理碩士課程
查詢:cuhkcmfestival2017@gmail.com
網址︰www.facebook.com/savingthepastforthefuture

 

*收費節目門票現已於Artmate 發售︰www.art-mate.net

日期:28 / 4 - 3 / 5 / 2017
時間:10:00 - 18:00
開幕:27 / 4 / 2017 > 16:30
地點:中央庭園
查詢:2380 0241(張偉賢)/ cskvart@gmail.com
網址:www.cskms.edu.hk

 

一群青少年與三位藝術家一起探訪視障人士,事後在藝術家的指導下,以藝術創作表達對弱勢社群的愛與關懷。

 

「從心‧隨意」

 

日期及時間
21 / 4 / 2017 > 15:00 - 21:00
22 / 4 / 2017 > 10:00 - 21:00
23 / 4 / 2017 > 10:00 - 19:00
開幕:21 / 4 / 2017 > 19:30

主辦香港中文大學專業進修學院

地點:L1 藝廊

查詢:9678 2974(何湘玲)

MO〔VE〕MENT: CROSSING BORDER︳BORDER CROSSING—INTERNATIONAL FESTIVAL OF CROSSING-MEDIA

2017

 

 

9-22/ 10/ 2017

 

TENTATIVE VENUES

JCCAC Art Village-HK

CDAV Art Villge-HK

HK SPACE MUSEUM

HK SCIENCE MUSEUM

VA!

Oil!

Kubrick

OCT-Space B10 Shenzhen-China...

 

Chief Curator:

Andrew Lam

 

Guest Curator:

Andy Tam

Wang Jing

 

Art is not stereotype. The Festival discloses visual language that blurs the borders between stereotypes, categories or preconceived notions. It imagines and reimagines the new physical-psychological, visual-conceptual, structural-spatial… boundary, thinking and re-thinking the urban-rural, geo-political, infra︳inter-structural, socio-cultural, virtual-mediated, physical-metaphysical… confinement in the trans-cultural, cross-territory contexts, and covering and uncovering refreshing perspectives︳structures of thought-form and vision-event connecting the heterogeneity of body and hybrid media… The Festival 2017 further perpetuates, explores and develops the conversation being built upon the last festival which focused on the ‘geo-political border’ and on also such themes revolving around urban crisis, refugee problem, body criticism, gender, post-colonial identity, imagery and media, etc.

 

www.jccac.org.hk/?a=group&id=c&mate_id=381&period=all&doc_id=5708

 

MO〔VE〕MENT- FROM A MOMENT IN TIME TO A MOVEMENT IN HISTORY

While the Festival may create visual objects of curiosity, complexity and ideas for speculation, it is not simply a MOMENT OF ‘ART ATTACK’, it embraces platforms/ methodologies of pedagogy for public mediation and forges co-extensive spaces for such co-participants as artists, educators, school and social learners to develop self, interactive or constructive learning. The Festival makes every moment of intervention count and makes it further-developing and evolving. Every moment embraces its intrinsic value and the Festival brings this value further to public understanding and impact. “MO〔VE〕MENT” presents works and projects existing in “the current moment/ frame of space-time” and/ or “a movement in the past or future history” with on-going thought-discussion. The dialogical and performative platform is not intending to create a new page in art history, nor spearheading culture towards a movement encompassing collateral event at the expense of discourse; rather, it emerges from a speculation with our time and a dialogue with history in the everyday.

 

CROSS-REALM DIALOGUE

The Festival supports the different vision, state and ontology of art, and it nurtures emerging forms of visual art and its transient expression or extended media. It also brings the complex relationship between the artwork and its author, site, history or urban meaning constructed in the public sphere to discussion.

 

RETHINKING OF FESTIVAL

The Festival is neither an anti-festival project, nor a one-off event to celebrate visual ideas which cannot last long. The very notion of “FESTIVAL” is not simply an independent or time-based event. Art being displayed in the public space should be a talking point and part of a series of connected links, events, interventions and creative plugs that are inter-transformed in an informative, mediated era of co-learning. While wechating/ celebrating art simply appearing as a “MOMENT” in the fabricated reality of this fleeting existence, the Festival responds to this festive situation by nurturing on-going dialogue, discourse and interactive learning.

 

(Andrew LAM, Director of MOST, 1.12.2016)