賽馬會黑盒劇場節目 (2017-06-29 ~)

日期及時間:
7 / 7 / 2017 > 20:00
8 / 7 / 2017 > 15:00 ; 20:00
9 / 7 / 2017 > 15:00
票價:$110, $70 (ST, SC, DIS)
地點:賽馬會黑盒劇場 
查詢:6642-6414 (whatsapp) / 電郵  dramatikos.hk@gmail.com

門票詳情:https://goo.gl/Z3vZGf

 

夢想之路再起跑!

Dramatikos查馬迪高斯聯合一眾劇場藝術家,以藝術與劇場教育,為年青人尋回夢想,再次在夢想之路起跑。Double Espresso 味道濃郁苦澀,但層次豐富。只有在追夢的路上勇於面對挫折,才能品嘗到追夢的樂趣和成功感。

年輕人的真實經歷貫串全劇,九首原創歌曲及多首原創音樂,讓你與他們一起在音樂路上起飛。Double Espresso, 你是否預備好品嘗那獨特而誘人的味道?

 

夢想?現實?迷失?重尋?

 

自蔑輸在起跑線的亞豆,早已放下當年的音樂夢想,在咖啡店中打工渡日,細V的畢業習作,把Louisa 、Dick、還有亞豆這幾個昔日的"Band 友"重新拉在一起。事隔多年,從前的誤會、挫折與失落,是今天的暗湧還是突破?夢想之路還能再起跑?

 

 

備註:
(1)本節目不設劃位
(2)三歲以下小童恕不招待 

(3)每場演出後設分享會,歡迎有興趣觀眾留步參加

(4)演出長約80分鐘,不設中場休息

(5)廣東話演出

(6)遲到者需待在中場休息或節目適當時候方可進場

(7)三歲以下小童恕不招待

(8)主辦單位保留更改節目和表演者的權利

 

節目如有更改,以最後公佈為準。

主辦及製作:Dramatikos查馬迪高斯https://www.facebook.com/DramatikosHK

 

 

日期:16 / 7 / 2017
時間:15:00 ; 20:00
票價:$20以上自由定價
地點:賽馬會黑盒劇場 

主辦人民故事劇團 
查詢:6100 5081 / andylo.work@gmail.com

 

本節目受惠於「賽馬會黑盒場地資助計劃」
 

門票詳情,請向主辦單位查詢

 

本節目附口述影像及劇場視形傳譯
 

日期及時間:
27 - 28 / 7 / 2017 > 20:00
29 / 7 / 2017 > 15:00 ; 20:00
30 / 7 / 2017 > 15:00

票價:$200, $160(ST, SC, DIS)
地點:賽馬會黑盒劇場 
主辦:小息跨媒介創作室
合辦:小劇場工作室
查詢:6037 0313

 

本節目受惠於「賽馬會黑盒場地資助計劃」

 

門票於各城巿售票網售票處、網上、流動購票應用程式My URBTIX(Android及iPhone/iPad版)及電話購票熱線發售

 

日期及時間:
4 / 8 / 2017 > 20:00

5 - 6 / 8 / 2017   15:00 ; 20:00

票價:$200, $140(ST, SC, DIS)
地點:賽馬會黑盒劇場

主辦:香港青年實驗劇團 Skywalkers
查詢:6170 8784

 

本節目受惠於「賽馬會黑盒場地資助計劃」

 

門票於各城巿售票網售票處、網上、流動購票應用程式My URBTIX(Android及iPhone/iPad版)及電話購票熱線發售

 

Skywalkers 香港青年實驗劇團將於 2017年8月1日至7日 假賽馬會創意藝術中心 賽馬會黑盒劇場(Jockey Club Black Box Theatre, JCCAC)呈獻第十四次製作——音樂劇《有一種寂寞叫忙碌》。
在繁華城市背後,
是忙
害人寂寞?
還是寂寞逼人忙碌?

MO〔VE〕MENT: CROSSING BORDER︳BORDER CROSSING—INTERNATIONAL FESTIVAL OF CROSSING-MEDIA

2017

 

 

9-22/ 10/ 2017

 

TENTATIVE VENUES

JCCAC Art Village-HK

CDAV Art Villge-HK

HK SPACE MUSEUM

HK SCIENCE MUSEUM

VA!

Oil!

Kubrick

OCT-Space B10 Shenzhen-China...

 

Chief Curator:

Andrew Lam

 

Guest Curator:

Andy Tam

Wang Jing

 

Art is not stereotype. The Festival discloses visual language that blurs the borders between stereotypes, categories or preconceived notions. It imagines and reimagines the new physical-psychological, visual-conceptual, structural-spatial… boundary, thinking and re-thinking the urban-rural, geo-political, infra︳inter-structural, socio-cultural, virtual-mediated, physical-metaphysical… confinement in the trans-cultural, cross-territory contexts, and covering and uncovering refreshing perspectives︳structures of thought-form and vision-event connecting the heterogeneity of body and hybrid media… The Festival 2017 further perpetuates, explores and develops the conversation being built upon the last festival which focused on the ‘geo-political border’ and on also such themes revolving around urban crisis, refugee problem, body criticism, gender, post-colonial identity, imagery and media, etc.

 

www.jccac.org.hk/?a=group&id=c&mate_id=381&period=all&doc_id=5708

 

MO〔VE〕MENT- FROM A MOMENT IN TIME TO A MOVEMENT IN HISTORY

While the Festival may create visual objects of curiosity, complexity and ideas for speculation, it is not simply a MOMENT OF ‘ART ATTACK’, it embraces platforms/ methodologies of pedagogy for public mediation and forges co-extensive spaces for such co-participants as artists, educators, school and social learners to develop self, interactive or constructive learning. The Festival makes every moment of intervention count and makes it further-developing and evolving. Every moment embraces its intrinsic value and the Festival brings this value further to public understanding and impact. “MO〔VE〕MENT” presents works and projects existing in “the current moment/ frame of space-time” and/ or “a movement in the past or future history” with on-going thought-discussion. The dialogical and performative platform is not intending to create a new page in art history, nor spearheading culture towards a movement encompassing collateral event at the expense of discourse; rather, it emerges from a speculation with our time and a dialogue with history in the everyday.

 

CROSS-REALM DIALOGUE

The Festival supports the different vision, state and ontology of art, and it nurtures emerging forms of visual art and its transient expression or extended media. It also brings the complex relationship between the artwork and its author, site, history or urban meaning constructed in the public sphere to discussion.

 

RETHINKING OF FESTIVAL

The Festival is neither an anti-festival project, nor a one-off event to celebrate visual ideas which cannot last long. The very notion of “FESTIVAL” is not simply an independent or time-based event. Art being displayed in the public space should be a talking point and part of a series of connected links, events, interventions and creative plugs that are inter-transformed in an informative, mediated era of co-learning. While wechating/ celebrating art simply appearing as a “MOMENT” in the fabricated reality of this fleeting existence, the Festival responds to this festive situation by nurturing on-going dialogue, discourse and interactive learning.

 

(Andrew LAM, Director of MOST, 1.12.2016)