其他場地節目 (2017-05-01 ~)

日期︰1 / 4 - 14 / 5 / 2017(星期二至日)*
時間︰11:00 - 13:00 ; 14:00 - 18:00
開幕︰1 / 4 / 2017(星期六) > 17:00 - 19:00
藝術家分享會:1 / 4 / 2017(六 Sat) > 15:00 - 16:30

 

「影像再想像.故事再敘述」藝術家工作坊#
日期︰2 / 4 / 2017(星期日)
時間︰14:00 - 17:00
查詢及報名:2777 8766 / nicolewong@lumenvisum.org

地點︰L2-10
查詢︰3177 9159 / info@lumenvisum.org
網址︰www.lumenvisum.org ; www.facebook.com/lumenvisum.hk

 

展覽設團體導賞,歡迎查詢

*逢星期一及公眾假期休館

#名額8位;活動以普通話進行(如有需要,將輔以英語講解) 

 

光影作坊首度呈獻「東南亞攝影系列」(一):走進風景P for Place(2007/2017),由新加坡籍策展人莊吳斌與光影作坊攜手策劃,展出馬來西亞華裔當代攝影藝術家郭靜潔(Minstrel Kuik)於2007年在馬來西亞拍攝的一道道以不同形式展示的「風景」。

 

「影像再想像.故事再敘述」藝術家工作坊#

在數碼年代,手機和拍攝器材普及,我們都積累了海量的照片,我們都在不斷拍照,卻很少靜下來梳理沉澱過的照片,以至進一步發掘個人的創作方向及意念。在工作坊裡,藝術家郭靜潔將從她自身整理舊有相片的經驗出發,分享她重新整理、編輯和拼湊的創作過程及意念。

 

工作坊將邀請參加者重新檢視自己近年拍攝的照片,與藝術家一同探討自我身份認同和和地域錯綜複雜的關係,並於工作坊上進行簡單的編輯和拼湊練習,以舊照片展開一次探索與想像。

備註:
(1)參加者必須預備一組照片參與(20至50張之內,主題不限)
(2)建議自攜手提電腦,以展示照片

 

進入日常生活,欣賞抽離風景。這一進出,穿過遮蓋的層層記憶。

 

日期:1 - 30 / 4 / 2017*
時間︰13:30 - 19:00
地點:L6-07
查詢:9858 8520(張浩強 Edward)/ edward_cheung@yahoo.com
網址
www.theblueprint.hk/STUDIO

 

*須預約參觀

日期:1 - 30 / 4 ; 6 - 31 / 5 / 2017(逢星期三、六)

時間:19:00 - 22:00
地點:L6-13(4月下旬遷往L3-02)
查詢:6333 6213(黃小姐 Janet)/ janetwong1222@yahoo.com.hk
網址:www.hkpsac.org


*須預早報名
 

日期:22 / 4 - 7 / 5 / 2017(星期六及日)
時間:13:30 - 18:00
地點:L5-23
查詢:9453 1626(Rachel Cheung)/ unit.gallery@yahoo.com.hk

 

史書記載的旭日也是今天的太陽,無聲地俯看數不盡的故事,晨曦中的讚嘆,夕照著的唏噓。展覽以陶瓷重塑故事,並記錄時間流轉的印記。

 

藝術家 CHINGDOMYINIC

日期:13 - 28 / 5 / 2017(逢星期六及日)*
時間:14:00 - 19:00
開幕:13 / 5 / 2017 > 18:00
地點:L6-07, jockey club creative art centre
查詢:
9858 8520(張浩強 Edward)/ edward_cheung@yahoo.com
6406 9143(CHINGDOMYINIC)/ chingdomyinic@gmail.com
網址:chingdomyinic.tumblr.com


*其他日子須預約參觀 


複視患者的病徵是在觀察單個事物時會出現兩個影像。對於大多數人來說,來自左眼和右眼看到的影像會自然融合成一個單一並帶有深度感的影像。雙目視覺這習慣使我們忽略我們擴展視野的可能性。

日期:3 / 6 / 2017
時間:14:00 - 15:00
地點:L2 平台 Terrace
查詢:9338 1279

 

演奏曲目:
笛子與琵琶:夢中的婚禮、小幸運
音樂小組:千本櫻
廣東音樂:雨打芭蕉
二胡獨奏:鄉韻、奔馳在千里草原
古曲:漁舟唱晚
另外加插時代曲及電視金曲
(節目如有更改,恕不另行通知)

*預留小部分坐位予有需要人士,其餘為企位。

日期:1 - 31 / 5 / 2017
時間:10:00 - 22:00
地點:L7 藍牆
協辦:香港素描學會
查詢:thriving_artstudio@yahoo.com.hk

MO〔VE〕MENT: CROSSING BORDER︳BORDER CROSSING—INTERNATIONAL FESTIVAL OF CROSSING-MEDIA

2017

 

 

9-22/ 10/ 2017

 

TENTATIVE VENUES

JCCAC Art Village-HK

CDAV Art Villge-HK

HK SPACE MUSEUM

HK SCIENCE MUSEUM

VA!

Oil!

Kubrick

OCT-Space B10 Shenzhen-China...

 

Chief Curator:

Andrew Lam

 

Guest Curator:

Andy Tam

Wang Jing

 

Art is not stereotype. The Festival discloses visual language that blurs the borders between stereotypes, categories or preconceived notions. It imagines and reimagines the new physical-psychological, visual-conceptual, structural-spatial… boundary, thinking and re-thinking the urban-rural, geo-political, infra︳inter-structural, socio-cultural, virtual-mediated, physical-metaphysical… confinement in the trans-cultural, cross-territory contexts, and covering and uncovering refreshing perspectives︳structures of thought-form and vision-event connecting the heterogeneity of body and hybrid media… The Festival 2017 further perpetuates, explores and develops the conversation being built upon the last festival which focused on the ‘geo-political border’ and on also such themes revolving around urban crisis, refugee problem, body criticism, gender, post-colonial identity, imagery and media, etc.

 

www.jccac.org.hk/?a=group&id=c&mate_id=381&period=all&doc_id=5708

 

MO〔VE〕MENT- FROM A MOMENT IN TIME TO A MOVEMENT IN HISTORY

While the Festival may create visual objects of curiosity, complexity and ideas for speculation, it is not simply a MOMENT OF ‘ART ATTACK’, it embraces platforms/ methodologies of pedagogy for public mediation and forges co-extensive spaces for such co-participants as artists, educators, school and social learners to develop self, interactive or constructive learning. The Festival makes every moment of intervention count and makes it further-developing and evolving. Every moment embraces its intrinsic value and the Festival brings this value further to public understanding and impact. “MO〔VE〕MENT” presents works and projects existing in “the current moment/ frame of space-time” and/ or “a movement in the past or future history” with on-going thought-discussion. The dialogical and performative platform is not intending to create a new page in art history, nor spearheading culture towards a movement encompassing collateral event at the expense of discourse; rather, it emerges from a speculation with our time and a dialogue with history in the everyday.

 

CROSS-REALM DIALOGUE

The Festival supports the different vision, state and ontology of art, and it nurtures emerging forms of visual art and its transient expression or extended media. It also brings the complex relationship between the artwork and its author, site, history or urban meaning constructed in the public sphere to discussion.

 

RETHINKING OF FESTIVAL

The Festival is neither an anti-festival project, nor a one-off event to celebrate visual ideas which cannot last long. The very notion of “FESTIVAL” is not simply an independent or time-based event. Art being displayed in the public space should be a talking point and part of a series of connected links, events, interventions and creative plugs that are inter-transformed in an informative, mediated era of co-learning. While wechating/ celebrating art simply appearing as a “MOMENT” in the fabricated reality of this fleeting existence, the Festival responds to this festive situation by nurturing on-going dialogue, discourse and interactive learning.

 

(Andrew LAM, Director of MOST, 1.12.2016)