越界過渡-國際跨界藝術節
Left
Right

CROSSING BORDER BORDER CROSSIG国际穿越媒体节

 

主持人:现场博物馆(最多)

支持者:

香港教育大学

v(fx)

发生小组

香港特别行政区康乐及文化事务署艺术推广署

柏林Openpace

艺术地图

西九文化区

CDAVM

 

跨界跨界跨界-跨界媒体的国际盛宴

越界︳过渡—国际跨界艺术节

 

日期︳2016年2月1日至7日(香港JCCAC)︳ 2016年6月3日-11日

地点︳

L-7-12A大多数替代空间,

L7绿地

屋顶花园

L0

L1画廊和

JCCAC艺术村内的L1中央庭院(香港)

 

主持人_

遗址博物馆有限公司(MOST),总部位于香港的注册非营利性制作艺术公司

 

策展人︳安德鲁

 

目标《越界︳过渡》关链字

 

以视觉,理论,结构,空间和灵活的定义和重新定义,定位和重新定位都市,农村,物理,心理,地缘政治,基础设施,社会/文化,虚拟,介导,...等边界概念,将在思想的结构和展览系统中形塑出来...在“深港大都会”一个居住条件快速变幻的年代,边界不是一个持续的,物理或区域概念,也不是一个固定,借来的空间/时间点利用基础设施/宣传/教学活动的提供;

 

相反边界是:

 

•一个感应心灵,方便想像的心理国度,

 

•个人能量和存在于空间中的有(Being)等级和无(Non-Being)等级的一项聚焦,

•一种跨越多媒体与活动的心理状态,

 

•软实力的表现,协助定义及重新定义相关城而的重构硬件,其合法性和权威性,

 

•一项策略来有机地移动中央与边缘的疆界界限……

 

•越界是一个跨地区的,跨基础设施的项月,地理及心理上联系香港与深圳双城双年展,•越界过渡了活动本质的框架,超越了不同项目,媒体架构,基础设施,公共艺术,多媒体和各种和市民沟通的非官方平台,•越界专注和彰显了建筑与城市发展的视觉效果(视觉冲击),一个连接着扩散和渗透在我们物质环境中,不同层次和维度的生活品质(Quality),

 

•越界也可以是针对土地规划和建筑实用要求等富争议问题的创意和文化回应。

 

展览平台| 「越界」的展览平台:

 

围绕著非主流概念的旦生,在「現代之後」,它重新體現建筑与城市化的视觉价值;批判當下美學形態跟建筑空間和双年展的過分分离;在我们社会文化、地缘政治不断急遽变化的狀况下,分析日漸處於“都市化边缘”的高新视觉文化怎樣通個創意的展覽結構,及其對造城環境另类的觀察、认知和实驗,以其正面的積極力量衝击城市趺蕩失序的發展「常態」。 建筑装置、空間品物、比例模型、城市环境声音、反映都市生活的表演…將在每一佈展的公共或半公共空間形塑跨媒体的平台;为如此極速转型的珠三角狀況进行富革命性、非主流素质的视觉建筑的短暂呈现;並推動非流于程式化的文化教育和詮释。 「越界」整體也是一个把玩边緣和中央、富概念的跨艺术-建筑方案;担當都市振兴、社区平權增值,和深圳同步成長的兩年、非一次性項目;它徘迴於稳定与改革,发展与妥协,现实与远见之中;在稍纵即逝的當下再激活全球化和本土化的理性對話;讓公眾想想什么样的城市条件和都市系统他们曾未想創的,也讓他們在這些空間下重新定位/再定位怎样的城市生活才可讓這珠三角旗艦城市在同城化的激烈競爭中持续發展… 通過自身體驗

 

The exhibition project aims at presenting the notion of a (city) boundary (i.e. “Hong Kong”) on a cultural x/change platform, embracing the medium of architecture, live performance, painting, photo/sound/videography, mixed-media or installation, defining and redefining the very notion of contemporary art, in the era of border-crossing.

 

CURATORIAL CONCEPTS策展関鏈辭︳概念

 

Defining and redefining the physical-psychological, visual-conceptual, structural-spatial… boundary, thinking and re-thinking the urban-rural, geo-political, infra/ inter-structural, socio-cultural, virtual-mediated, physical-metaphysical… border in the trans-cultural, cross-territory contexts, and covering and uncovering refreshing perspectives/ structures of thought-form and vision-event connecting the heterogeneity of body and hybrid-media…

 

PLATFORM平台

 

RETHINKING “BORDER” IN THE VISUAL FORM OF “ARCHIVE”

(I) RETHINKING THE NOTION OF “BORDER” (i.e. HONGKONG/ SHENZHEN-CHINA) TRANSGRESSING/ CROSSING THE LOCAL AND GLOBAL CONTEXT AND CONFINEMENT CREATING THE NEW FORM OF AWARED ART EMBRACING BODY ACTION, MEDIA, IDEA, VISION…

 

- to perceive a cosmopolitan urban city “Hongkong-Shenzhen (HK-SZ) or CHINA” as a development, something being created and something being missed…

 

something can co-generating/ co-habiting in something new and interesting….

 

- to rethink Hong Kong, Shenzhen or other urban district/ city’s position as a geopolitical/ representative symbol of industrialized capitalism- an inevitable global phenomenon?

 

- to initiate or actualize the project as a steering engine for positive dynamism and engaging movement crossing the border and recreating a new form of local learning, culture, tourism, leisure and traveling, and other socio-cultural events in the region of HK or Other City.

 

- to create a “(alternative) vision” for the border cities/ communities being fortified by art projects with deep, international impact, and follow-up cultural exchanges, etc.

 

- to forge a dialogue crossing the boundary of art, history, social reflection, infrastructure and to create pluralism/diversity/dynamicism as cultural symbol and reinvigoration of cultural heritage such as CDAV or JCCAC and its geo-eco-political significances by showing its transformation from present to future…

 

- to revisit a small number of artworks (the past) and realign them with other works or projects (the present) here from various time periods, crossing the boundary of time.

 

(II) VISUAL, THOUGHT-FORM AS ALTERNATIVE ARCHIVE Archive will take the a variety of form crossing and embracing body, video/ photography, film, painting and mixed-media project. Crisis of Modernism (functional/ rational) / Inadequateness of Postmodernism (human-oriented/ irrational)

 

 create an Alternative/ Otherness/ Parallel of TWO is the very notion of contemporary art and this festival - to create an alternative archive to review, to plan, to vitalize, to re-use,

 

 build for the development of our cities and create the “second” history of the cities by showing “the past” could actually embrace the up-to-date and upcoming... - to create the alternative NEW CITY ARCHIVE

 

 reactivate the border-crossing areas and art-forms, etc. The archive takes the form of body, video, mixed-media, reflecting a self-reflexive process of each artist

 

 to overview a past-present-future status quo

 

 to explore more cultural tensions involved by the process of city synchronization, urbanization, and over development in the areas of environment. - to create an archive as an aesthetic, sensory, and intellectual response

 

 to the constant revolutionizing of life in HK, SZ, China and Asia… (i.e. economic/ social/ cultural/ political/ religious etc..) - to create an archive as memory as practice

 

 to perceive the immaterial social and economic structures into abstract quality (gender, class, religion, and nationality) and even more corporeal realities (Bourdieu, 1977)

 

 

ARTIST-COLLECTIVE︳

ARCHITECTURE & SITE DESIGN︳JCCAC CENTRAL COURTYARD OR CDAV︳ 1. Andrew LAM (Hong Kong)

 

 

3D VIDEO WALL PROJECTION︳JCCAC︳3 - 7 FEB 2016 (5-8 pm)

1. Victor WONG (Hong Kong)

 

 

LIVE PERFORMANCE X INSTALLATION︳WORKSHOP︳JCCAC Central Courtyard 4-6 FEB 2016 (2 DAYS) 20 live performance

 

 

1. Megumi SHIMIZU 清水惠 (Beijing-Tokyo) or Arai Shin-ichi (Tokyo) 

2. OPENSPACE Collective (Emily Kuhnke; Berlin)

3. Martin ZET (Prague)

4. Nenad BOGDANOVIC (Director LIVE Odzaci)

5. Patrick JAMBON (Berlin-Paris)

6. Stanley FAVIER (Montreal)

7. ZHOU Bin 周彬 (Director LIVE Chengdu)

8. Jaeson MOON 文在善 (Seoul)

9. LEE Wen 李文(Singapore)

10. WATAN Wuma 瓦旦塢瑪 (Taiwan) or Craphone LIU Yin Sheng

11. OPENSPACE Collective (Michael Stager Director LIVE Berlin)

12. FENG Wei Dong 馮衛東 (Beijing)

13. REN Qian任前(Chungking)

14. HE Liping 和麗斌 (Director LIVE Kunming)

15. YUEN jie (Hong Kong)

16. Monique YIM (Hong Kong)

 

 

SOUNDGRAPHY︳

1. Eric YAU Wan Kei 邱宏基 (Hong Kong)

 

 

MIXED-MEDIA︳INSTALLATION JCCAC Central Courtyard or Cattle Depot Art Village 1-7 FEB 2016

2. daDa達達 (Zhuhai)

3. Gabrieb LEUNG梁思鳴 (Hong Kong)

4. LI Tin Lun 李天倫 (Hong Kong) 

 

 

INSTALLATION︳JCCAC Green Space 1-7 FEB 2016

1. JAFFE. T謝斐 (Hong Kong)

 

 

PAINTING︳L1 Gallery + MOST, JCCAC︳3, 4-7 FEB 2016

1. Sim CHAN 陳閃 (HK) 

2. SIDDARTH Choudhary (HK)

3. YUENJIE Maru 丸仔(Hong Kong)

4. Kay Mei Ling BEADMAN (Hong Kong)

 

 

PHOTOGRAPHY︳MIXED-MEDIA︳L1 Gallery, JCCAC︳3, 4-7 FEB 2016

1. OH Jin Sun (Incheon)

2. XU Tan徐坦(New York-Guangzhou)

3. Sheetal S AGARWAL (Mumbai-Hong Kong)

4. SIU Wai Hang蕭偉恆 (Hong Kong)

5. Terry NG吳漢曦 (Hong Kong)

6. Enoch CHEUNG張康生(Hong Kong)

7. Jolans FUNG馮文耀 (Hong Kong)

8. YAN Lei-HONG Hao顏磊-洪浩(Beijing-Shanghai)

 

 

FILM/ VIDEOGRAPHY︳L0 Gallery        

1. Joe in LEONG (Macau)

2. CHU Hao Pei (Singapore)

3. YAO Jui Chung姚瑞中(Taipei)

4. CHOI Sai Ho蔡世豪 (Hong Kong)

5. Sarawut CHUTIWONGPETI (Bangkok)

6. WANG Hsin Jen王新仁 (Taipei)

 

 

ARCHIVAL PHOTO OF ONE-MAN| ENVIRONMENT THEATRE| LIVE ART EXHIBITION| MOST L7-12A, JCCAC, FEB 1-28, 2016 Around 20 Works of historical, one-person, environmental, live, theatrical work of Chinese artists in the last 20 years will be displayed HONG Hao洪浩 (Shanghai)、CANG Xin蒼鑫(Beijing)、REN Qian任前 (Chongqing)、ZHENG Li成力(Lanzhou)、DA Lai Zhong邸乃壯 (Lanzhou)、YU Qi余極、YANG Zhi Chiu楊志超 (Beijing)、MA Jian馬健 (Beijing), YAO Jui Chung姚瑞中(Taipei)、XU Tan徐坦 (Guangzhou)、YAN Lei顏磊 (Beijing)、JIANG Zhi蔣志 (Beijing)、YANG Yong楊勇 (Shenzhen)、DAI Guan Yu戴光鬱 (Chengdu)、NE Wai Hua倪衛華 (Shanghai)、WANG Nan Ming王南溟 (Shanghai)

 

 

DOCUMENTATION|

30 Chinese live artists’ materials will also be collected and donated to Hong Kong Government.

 

 

WORKSHOP| Sharing experience in live art and multimedia festival in China and Berlin

ZHOU Bin (Director LIVE Chengdu)

HE Liping (Director LIVE Kunming)

REN Qian (Artist LIVE Chungking)

MOK Chiu Yu (Curator LIVE Hongkong)

NG Feng Zhou (Curator LIVE Macau)

 

 

EXHIBITION︳4-7 FEB 2016

EDUCATION TOURS︳guided tours is provided on request for disabled or wheelchair persons, community groups, students and teacher groups, etc. ADMISSION︳Free

NO. OF WORKS︳50+

NO. OF WORKSHOP︳2+

NO. OF PARTY︳1

NO. OF GUIDED TOUR︳4+

 

 

TARGET︳PROFESSIONAL AND GENERAL AUDIENCE, STUDENTS

MEDIA PARTNER︳HKSEA, JCCAC, ARTMAP

 

 

RATIONALE︳

(A) Crisis of Modernism (functional/ rational) / In-adequateness of Postmodernism (human-oriented/ irrational)

 

 Creating an Alternative/ Otherness/ Parallel of TWO is the very notion of contemporary art and this festival Synonym and Analogy with Modernism “Number is matter”

 

 mass production

 

 large quantity “Efficiency is matter”

 

 fast and fast

 

 speed “Function is matter”

 

 formalism and without context

 

 dehumanized “Reproduction is matter”

 

 originality and aura

 

 repetitive/ mechanistic

 

 high-techno

 

(B) Creating the alternative NEW CITY ARCHIVE and

 

 to reactivate the border-crossing thinking and art-forms, etc. The archive takes the form of body, video, mixed-media, reflecting a self-reflexive process of each artist

 

 to overview a past-present-future status quo

 

 to explore more cultural tensions involved by the process of city synchronization, urbanization, and over development in the areas of environment. Creating an archive as an aesthetic, sensory, and intellectual response

 

 to the constant revolutionizing of life in HK, SZ, China, Asia and other global cities… (i.e. archive alternative economic/ social/ cultural/ political/ religious ideas, etc..) Creating an archive as a new social formation/ critics of the industrial modernity

 

 to accept and be ready to change “ways of living and models of action” Creating an archive as a radiation to border districts, artists, and publics

 

 to form intuitions of memories

 

 to aware contemporary art as a specific form of social knowledge. i.e city development and social class etc.. Creating an archive as memory as practice

 

 to perceive the immaterial social and economic structures into abstract quality (gender, class, religion, and nationality) and even more corporeal realities (Bourdieu, 1977)

 

 

(C) Social Ants/ social Plant

 

 a study model of city development after industrial modernity “multiplication of needs” (Karl Marx)

 

 modern city as a consumer-driven society

 

 Capitalism depends on and fosters the drive towards accumulation by creating imaginary promises of happiness and freedom through consumptions Industrial plant, installation, and facility

 

 becoming the fossils of modern dinosaurs i.e. monumental and impressive

 

 lifeless/ no economic value i.e. no longer productive and created employment. (as like as Becher, Bernd & Hilla)

 

 to the extreme “commodity fetishism” to the industry (Cain, Ben, 2012) Plants (Metaphyta or Plantae) are one of the two groups into which all living things have been traditionally divided;

 

the other is animals (also called Metazoa).. (Linnaeus, 1707–1778) Ants are social beings as human and they work for a close-system and “self-contained/ sufficient and highly organized matriarched colonies”. (Shen Kuai, 2012)

 

Each ant is born with assigned work (associated with the term citizenship, citizen rights, social status, and society etc.) which contributes to the welfare of the entire colony Plants are living organisms as human.

 

Plants provide most of the world oxygen and are the basis of the earth ecology. Ants and Plants are signified as biological interaction as human society i.e. symbiosis (defined as "the living together of unlike organisms. Heinrich Anton de Bary, 1879), parasitism, competition, etc….

 

(D)具有生态系统相互作用的同义词和类比中性主义描述了相互作用但互不影响的两个物种之间的关系。肢解主义是一种生物的产物对另一种生物具有负面影响的关系。竞争是个体,种群或物种之间的互为有害的相互作用,一种互惠互利的互惠互利互惠互利。共鸣使一个生物受益,另一种生物既无益也无害。互惠互利是两个或多个物种之间的相互作用,其中物种互惠互利。共生(共同生活)一词可用于描述不同物种的生物之间不同程度的紧密联系。

 

(2016年1月)

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

聯絡及查詢 : 環境藝術館/ 林漢堅